Tag Archive for 'The Crucible'

The Buzz: Glass beads workshop

Published on 04/07/2010 in Behind the scenes, News and Techniques.

My how time flies. In late February, I tried my hand at a brand new craft: making glass beads. I'd never touched molten glass before, so this was a totally new arena for me. I felt humbled by the newness of the material to my hands. 

I broke so many beads the first day, I was sure this was not going to be the art form for me. I wanted to MAKE beads, not BREAK beads! But the second day, I kept making, and making. The more I tried out various colors and techniques (dots versus stripes for example) the more excited I got. The beads stopped exploding in my face, and finally, some really neat things started to happen. I wish the workshop had been longer than two days because I had so many visions for other types of techniques I wanted to try. Here are the results of my workshop with a kicker thrown in at the end:

 

I'm not sure what I'll do with these beads yet. They are sitting right here, catching the light, letting me covet them. The biggest perk of the workshop wasn't these end products, though. Encountering the brick wall of my limitations was such a thrill. And I feel like I'm only at the beginning of what's possible! (And Tara Murray, by the way, is one of the best instructors I've ever had. She's got a talent for encouraging people to step into that space of creative fear and push forward. If you can work with her, go for it!)

 

PS and yes, you can learn how to make a bee like that in two days flat. I promise you! ;)

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Seven years in the making

Published on 12/07/2009 in News.

Seven years ago, with the fall quickly becoming winter in manhattan, I went to a place called Dikra in midtown and purchased a few cabochons for my jewelry class. I used two out of the three, and while having great plans to set the third stone, time flew, the semester was up, and I never finished that piece.

This weekend I finally set this turquoise-blue amazonite stone:

Seven years in the making   

 

Throughout the process my mind was flooded with memories of where that stone had been that year, of the plans I had to set it (numerous and I never settled quite fully on one), the people I knew then, the places I went with them, and in the end of all that, I abandoned the stone…it stayed with me in the recesses of my house, piled with the other neglected art projects that I am now excavating and expanding on.

I never expected working again on this stone to create such an intense sense of time travel. It really could have been 2002 in that room when I burnished the stone in place (Burnishing by the way has become one of my favorite processes in jewelry-making. It takes a lot of muscle and focus to get a sweet, smooth line around the stone. In class my nickname became "the Burnisher" set to the tune of the end of Big Punisher's "Still Not a Player"  around min. 3:12 …burnishaaaa)

And after that incredibly cathartic experience, another creative process began. Elise, a fellow Crucible hooligan, was in the two-day intensive workshop with me. She and I fell into that kind of talk that issues from nowhere while you aren’t looking at each other, but focused on the file that is shaving off atoms of silver before you. She was soldering gemstone eyes onto a metal dental mold (an octopus form of sorts), and I ended up working on this ring:

 

Cue the surf guitar. Or a ring in silver

 

I can’t recount all that went into this piece, but I will say that I didn’t go into the workshop with this form in mind. To see it now after having gone through the process of creating it is surprising even to me. I’m definitely loving the adventure. (The stone is glass, by the way, and it is even more intense in person. And no, that psychedelic patina color won’t last forever. The patina will eventually go darker black, but hey, I can dig rainbows as long as they last!)

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A visit to the Bay Area Bead Extravaganza 2009

Published on 11/16/2009 in News.

Mid-November is always an exciting time for me. For two days, some of the best craftspeople come together to showcase their latest work at the Bay Area Bead Extravaganza. The event isn’t limited to beads alone though. Lots of suppliers supplement the offerings. The organization offers classes as well, but this weekend, I was mostly interested in seeing what this temporary respite of the Picking World had to offer. I spent both days perusing the aisles, talking to the artisans and those who delve deeper than me into the world of vintage German and Japanese glass. Toni Lutman’s new line of glass beads really stood out to me. And I got to visit with my favorite people from Baubles and Beads, right down the street from me in Berkeley.

On Sunday, I volunteered to man The Crucible’s booth. We spoke with hundreds of people. Some of them had heard of The Crucible before, some hadn’t. I love it when someone walks away excited by the possibilities that they can explore at The Crucible. I love it even more if and when I see them again, after having taken a class…the classes are addictive! (I’m taking my next one in early December!)

The BABE show was my second time volunteering to man a Crucible table. Lots of people say, “I always say, I’ll go, but I haven’t gone yet.” My reply to them is always, “don’t let some day become six years!” In 2003, I told my friend Erin that when I moved to Berkeley for grad school, I would be at The Crucible every day. This January, I realized 6 years had lapsed, and I hadn’t even stepped foot in the place. By the looks of this photo, you can see that’s all changed now!

It was great to spend time around so much raw creativity, both people and materials. And I can’t wait to make new pieces with the loot I collected this weekend. It’s going to be so much fun!

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Metal Corrugation Workshop

Published on 08/11/2009 in Artists, News and Techniques.

This week I’m taking a metal corrugation workshop with Trish McAleer. She’s amazing, and the techniques she is teaching are blowing everyone away. Her workshop is part of the “Surfacing” conference of the Enamelist Society. The Crucible has been kind enough to host the workshops for the conference, and so far, everything is going really well. I’ve taken some pictures of my progress so far. I can’t wait for tomorrow. I’ll definitely be doing more corrugation in my future work.

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