A visit to the Bay Area Bead Extravaganza 2009

Mid-November is always an exciting time for me. For two days, some of the best craftspeople come together to showcase their latest work at the Bay Area Bead Extravaganza. The event isn’t limited to beads alone though. Lots of suppliers supplement the offerings. The organization offers classes as well, but this weekend, I was mostly interested in seeing what this temporary respite of the Picking World had to offer. I spent both days perusing the aisles, talking to the artisans and those who delve deeper than me into the world of vintage German and Japanese glass. Toni Lutman’s new line of glass beads really stood out to me. And I got to visit with my favorite people from Baubles and Beads, right down the street from me in Berkeley.

On Sunday, I volunteered to man The Crucible’s booth. We spoke with hundreds of people. Some of them had heard of The Crucible before, some hadn’t. I love it when someone walks away excited by the possibilities that they can explore at The Crucible. I love it even more if and when I see them again, after having taken a class…the classes are addictive! (I’m taking my next one in early December!)

The BABE show was my second time volunteering to man a Crucible table. Lots of people say, “I always say, I’ll go, but I haven’t gone yet.” My reply to them is always, “don’t let some day become six years!” In 2003, I told my friend Erin that when I moved to Berkeley for grad school, I would be at The Crucible every day. This January, I realized 6 years had lapsed, and I hadn’t even stepped foot in the place. By the looks of this photo, you can see that’s all changed now!

It was great to spend time around so much raw creativity, both people and materials. And I can’t wait to make new pieces with the loot I collected this weekend. It’s going to be so much fun!

Mini Moo!

I’ve been giving a lot of thought lately into packaging, and the recent trend of Moo minicards was just too hard for me to resist. Coming up with my own set was a difficult design challenge. Should I take pictures of the various pieces and add a few moo cards that match that very piece? (but that seemed to be a bit too matchy-matchy.) Or should I take something that has nothing to do with the individual pieces jewelry but reflects the nature of Art by Zahrt? And if so, what would that look like? At the root, the conflict was the tension between using them primarily for packaging or mini business cards.

After spending some time I chose to compromise by selecting various photos I’ve taken from my travels. I not only collect beads and supplies everywhere I go, but more often than not, those are the places that inspire me to create, whether it’s artwork, photography, or even academics (9 times out of 10 I’m in Germany! Lately though, Croatia has been beating out the German-speaking lands). The natural textures of the images I capture from the places I visit dovetail with the designs I end up creating. It’s a win-win!

So, a few weeks ago I finally designed and ordered a set of minicards with an avatar on the back (next to the contact info), but the avatar was very pixellated. Luckily, when I asked the people at Moo how to fix it in the future, they gave me a coupon for a free set (Thanks Moo!), which just arrived. I’m super excited with how they turned out! These cards put the perfect touch on the jewelry I’m making.

Take a peek at how it is all coming together:

Metal Corrugation Workshop

This week I’m taking a metal corrugation workshop with Trish McAleer. She’s amazing, and the techniques she is teaching are blowing everyone away. Her workshop is part of the “Surfacing” conference of the Enamelist Society. The Crucible has been kind enough to host the workshops for the conference, and so far, everything is going really well. I’ve taken some pictures of my progress so far. I can’t wait for tomorrow. I’ll definitely be doing more corrugation in my future work.

Monday morning inspiration

Mateo’s art is amazing. I’ve been following this artist ever since I stumbled across his work at a flea market in Berlin in 2005. His paintings continue to get better and better. The strange beings he paints inspire and fascinate. He often shows with his friend Johan Potma, an exquisitely talented artist in his own right.